*our client code
0235/2007
The Place & the Plate
The exhibition
and installation of Design,
Gastromomy,Food,Sound,
and Video.
June 29-August 31,2007
The Jim Thompson Art Center

Bangkok,Thailand
The Place & the Plate Printed :
Invitation Card
Guide Book

Insert Paper































































Morisset and I met for the first time over lunch in Bangkok at the Saladaeng Café, one of the Jim Thompson restaurants. He was hunting for an appropriate space for his upcoming show, The Place and the Plate. Without a second thought I strongly recommended the Jim Thompson Art Center to him. No other place or space in Bangkok seemed more appropriate to accommodate the exhibit that he was planning. Not only was the space ideal, but so was the association with Jim Thompson, an American who modernized the Thai silk industry in the 1950’s and 1960’s, and had a reputation for being a wonderful host. He was famous for welcoming visitors from around the world to dine in his unique teak home.

Jim Thompson’s strong interest in architecture, design and art helps to set the stage for The Place and the Plate. He collected hundreds of pieces of antique Chinese tableware including unique five-color Benjarong porcelain made especially for the Thai market. His personal collection of ceramics and Benjarong is on permanent display at the Jim Thompson Thai House Museum. These pieces are so elegant and timeless that they can be studied and re-interpreted in many different contexts.We are delighted to highlight pieces from the Jim Thompson collection in this exhibition.

We would like to thank the James H. W. Thompson Foundation Board of Trustees for loaning tableware from the personal collection of Jim Thompson to be used in a special table setting created by well-known designer André Putman. This arrangement will be displayed in its own separate room. For the main exhibit space, two talented architects Wit Pimkanchanapong and Boonsanga Teo, who specialize in designing multi-disciplinary shows, have created the exhibit in the main hall which encompasses two rooms.

The arrangement is in response to Cedric Moriset’s idea of double rooms which display old and new tableware from French manufacturers and also juxtapose pieces of Benjarong from the James H.W. Thompson Foundation’s collection and those made by Navarong, a redefinition of Benjarong in 21st century developed by Pim Sudhikam and Be Takerng Pattanopas. The concept behind the Thai display varies slightly from the French due to the disrupted development and drastic change that has taken place in the Thai culinary tradition. While the French have re-examined and revived their tableware industry, Thailand has focused on modifying its cuisine by promoting itself as a ‘kitchen of the world’. The movement to launch Thai restaurants around the world is a fascinating new phenomenon. This concept thus makes food and the culinary arts significant not only for everyday life, but also suddenly turns Thai cuisine into a national agenda.

To enhance the experience of The Place and the Plate, we have invited two prominent Thai artists Rirkrit Tiravanija and Pinaree Sanpitak to participate in this project. Both are involved with and interested in cuisine, although each approaches cooking in a different way. Rirkrit Tiravanija has shaken up the western art world by cooking Pad-Thai in world-class museums. For this exhibition he will combine Thai Tom Ka Khai and French Bouillabaisse to serve to the audience on the opening night. Pinaree Sanpitak has developed her ‘breast stupa cookery’ into various types of food. She will work with professional and amateur chefs to prepare traditional Thai dishes, desserts and sweets to serve during the opening night. Her culinary creations will also be incorporated in the Thompson Bar and Restaurant’s menu throughout the exhibition period. To conclude the show, Tiravanija will emphasize how important food is to the art world and to our daily life. He will stage a cooking performance and demonstrate through a social culinary gathering that the ingestion of food can be both for life and for thought.

Gridthiya Gaweewong
Artistic Director and Co - curator
Bangkok,Thailand

11

*our client code
0124/2007
The National
Maritime Museum
Chanthaburi

Thailand

Printed;
Museum Guide







































The National Maritime Museum Chanthaburi is the first and only Museum that has kept ten of thousands of undersea artifacts. The Museum is under patronage of the National Museum of The Department of Fine Arts and Ministry of Culture. The design of the Museum is a twin building with an area of 3,500 square meters, situated within Khai Nuenwong. Fort Nuenwong is an ancient fortress built to fight off the Burmese troops during King Rama III reign.

Since 1974, The Department of Fine Arts had begun to seriously study undersea artifacts in Thailand. The study consists the learning of people who live by the sea and their cultures such as traveling, trading and their relations between other cities from past to present times. In 1990, The Department of Fine Arts had set up a study Centre for undersea ancient artifacts at Tha Chalab and preservation centre at Khai Nuenwong, Tambon Bang Kaja, Chanthaburi province.


The expedition of recovering undersea artifacts had expanded their capabilities. Large numbers of artifacts from sunken ships had been recovered. In supplement to this, in 1992 the Royal Thai Navy had captured and confiscated a large lot of undersea artifacts from foreign pirates who entered Thai sea space and were turned over to The Department of Fine Arts. There are over 20,000 pieces that are well kept with the Underseas Bureau Office at Khai Nuenwong, Tambon Bang Kaja, Amphur Muang, Chanthaburi province.


Therefore, 1n 1994 the Department of Fine Arts immediately came up with their policy to construct the National Maritime Museum to provide a wide range of knowledge about undersea life and the history of The Royal Thai Navy. And in the same year, the Thai government had approved this project and whereas the Museum will be situated within the province so that many could come and learn about undersea life, ecosystem, local society, economy and local cultures. By doing so, The Department of Fines Arts had merged the local Museum with the Maritime Museum, which today is known as the National Maritime Museum Chanthaburi.

The National Maritime Museum
Chanthaburi ,Thailand
-----------------


*our client code
0125/2006
Sgt. Maj. Tawee Folk Museum
Phitsanulok, Thailand


Printed;
Museum Guide































































































Inspired by his love for and awareness of the value of folk utensils, Sergeant Major Tawee Buranakhet, widely recognized as “Sergeant Major Tawee” or “Uncle Sergeant Major”, has made every endeavor to buy and collect them for more than 30 years. With his money and through his wholehearted dedication to conserving these items, a personal museum known as Sergeant Major Tawee Folk Museum was eventually established.

During the early years of his strive, Sgt. Maj. Tawee found it was truly hard to get each item due to his impoverished financial status. Subsequently, he worked for a Buddha’s image casting factory and his financial status improved. He thus got around to buy more and more utensils for his collection. He underscored those unwanted or discarded by the owners so that the items would not die out over time and changing ways of life.

Located on Wisutthi Kasat Road, Phitsanulok’s Meuang District, Sergeant Major Tawee Folk Museum stands opposite to Burana Thai Buddha’s image casting factory. It houses hundreds of folk utensils, be it sizeable or tiny, ranging from basketry, earthenware, ancient kitchenware to agricultural tools. These include manually-operated watermills, rice mills, sugarcane squeezers, and animal traps such as mouse traps and cockroach traps. Each item on display perfectly exemplifies Thai local intellect as well as the wisdom of local people.

Sgt. Maj. Tawee Folk Museum
Phitsanulok, Thailand











10

*our client code
0127/2006
Wat Srikhomkham
The Phayao
Cultural Exhibition Hall

Phayao,Thailand
Printed;
Wat Srikhomkham Guide











































































Phayao Cultural Exhibition Hall is a place where many artifacts are on display. Such displays include documents in history, literatures, local ideas, cultural, traditions and everyday life of the local people of Phayao. All of these collections are the works of Luang Por Dhamwimolmolee who is an abbot of Wat Srikhomkham temple.

It has been over 43 years that Luang Por Dhamwimolmolee had discovered the ruins in an early work of sandstone arts in Phayao (20 -21 B.E.). Those discoveries are broken Buddha idols, four-headed Erawan elephants, lotus made of sandstone and Wiengkhalong ceramics. The discovery had inspired the abbot to preserve these valuable of national treasures at Wat Sriumongkham Temple. During that time, his title in the temple was only the head of a group in Amphur Phayao, Chiengrai province, before he promoted to be the head of the temple at Wat Srikhomkham in 1969. He had also moved those artifacts to Wat Srikhomkham Temple.

Ever since the collections of these artifacts by Luang Por Dhamwimolmolee and through his great vision, which took more than 32 years to complete; before it was established as The Phayao Culture Exhibition Hall in 1996. The opening ceremony was presided over by HRH Princess Maha Chakri Sirindhorn on the auspicious occasion on January 18, 1996.
The construction of The Phayao Culture Exhibition Hall, had applied the Lanna (northern design) look so it would have a feeling of the natural habitat of Phayao. There are about 2,000 square meters of space inside the Hall (excluding the outside area, which is more than 5 rai). There are 5 exhibition rooms on the second floor and they are divided into 13 sections.

Wat Srikhomkham
The Phayao Cultural Exhibition Hall
Phayao,Thailand









*our client code
0128/2006

The National
Museum Talang,
Phuket
Thailand

Printed:
Museum Guide























































































































































































The National Museum Talang, Phuket belongs to The Department of Archeology and placed as the No.12 museum under The National Museums Bureau. It is under the flagship of The Department of Fine Arts and located at Thao Thepkasattri & Thao Srisoondhorn Monument. It is sited far off from the Monument, approximately 200 meters into Saipaklog Road, with an area of 13 rai of land and situated at Moo 3, Tambon Srisundhorn, Amphur Talang, Phuket Province.


The National Museum Talang, Phuket is the local museum of Phuket, being one of the most honored area for protecting Thai independence during the Ninth Battalion War. In the beginning of Rattanakosin period, the name Talang has been inscribed in Thai history as Thao Thepkasattri & Thao Srisundhorn, whom had made history by ousting the invaded enemy away from the Thai soil in 1785.


To mark the 200th year occasion of the Talang War, the residents of Phuket led by a local historians and The Department of Fine Arts had proceeded to build this Monument in 1985 in honor of the two women for their patriotic heroism for Phuket. It is an exhibition of knowledge in history, archeology and culture of life on the Andaman and to support tourism in Phuket.


The National Museum begun construction in 1985 and the opening ceremony was presided by HRH Princess Siridhorn on March 14, 1989. The National Museum of Talang also has an ongoing construction to improve its facilities and also to help improve any exhibition being held since 1990.


The Museum was designed by Mr. Udom Sakulpanich. His design idea was initiated by using a local southern design and collaborate it with the main building. Thus, still keeping the original southern looks that is a wooden house with a 3-sided roof and extracted a triangular shape. The house is raised high above ground. The roof ceiling is made of sanded bamboo and bamboo weaving to close up the triangular shape.


This Nation Museum is well worth being conserved as a local architecture and it has won a Gold Medal Award for its design from the Architecture Society under the Royal Patronage.


The National Museum Talang
Phuket,Thailand

9

In a Blur of Desire
The Art Exhibition
By Araya Rasjarmrearnsook
Feb 21- Mar 4,2007
100 Tonson Gallery

Bangkok,Thailand


100 Tonson Gallery Printd:
Art Exhibition Program
Invitation Card